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Julian Bond: Reflections from the Frontlines of the Civil Rights Movement : ウィキペディア英語版
Julian Bond: Reflections from the Frontlines of the Civil Rights Movement

''Julian Bond: Reflections from the Frontlines of the Civil Rights Movement'' is a documentary film by Eduardo Montes-Bradley for Heritage Film Project,〔Schudel, Matt "Julian Bond, charismatic civil rights figure, dies at 75”. Washington Post. August 16, 2015〕 a portrait of social activist and former Georgia legislator Julian Bond. In the film Bond approaches the Civil Rights Movement from a personal perspective. “Bond's father was the first African-American president of Pennsylvania's Lincoln University, and the family hosted black luminaries in education and the arts, but Bond recalls growing up in the era of "separate but equal" laws”.〔Puffer-Rothenberg, M | Video Librarian. Film review. September 2013. USA〕 Bond also talks about his early involvement with the Civil Rights Movement, his nomination at the age of 28 for vice president of the United States, and the Georgia legislature's efforts to prevent him from being seated as a representative on the grounds that he had not supported the Vietnam War. The film explores the 1963 March on Washington, Martin Luther King Jr., the assassinations of King and John F. Kennedy, and Lyndon B. Johnson's impact on U.S. race relations. Bond also offers his own insights, and adds some personal revelations, such as the fact that he was a published poet during his college years. The film closes with a montage of major African-American figures from Frederick Douglass and Karl Marx, to Abraham Lincoln and Spike Lee. ''Julian Bond'', premiered at the Virginia Film Festival on November 4, 2012.〔"Les boîtes ouvertes de l’Amérique numérique. Aveux d’un documentariste indocile" Revue Annuelle de L'association Rencontres Cinémas D'Amerique Latine de Toulouse. Toulouse, France. Issue Number 21. p. 171〕〔Filmmakers Library. Fall Catalogue 2012. New Releases.〕〔"Film Festival Announces Partial Lineup". ''The Daily Progress''. Charlottesville, VA. October 3, 2012. p. 6〕〔Revolutionary: How to film upheaval. ''The Hook''. Charlottesville. October 3, 2012〕
==Synopsis==
The film is built around an in-depth interview with Julian Bond, by Eduardo Montes-Bradley at the Sixth & I Synagogue in Washington, D.C., along with the last few lectures that he delivered, as a member of faculty, at the University of Virginia in May 2012. The interviews are bolstered by a barrage of photographs and archival footage taken from different sources. These images help define and illustrate the different historical eras beginning with the American Civil War and running up to the 2008 US presidential election.〔Producers Official Website: Heritage Film Project〕
Through interviews and archival footage, the film documents Bond's life and, in particular, the role he played in the civil rights movement.〔Graham Moomaw. "Documentary on Julian Bond helps wind down film festival" ''The Daily Progress''. November 4, 2012〕 The first part of the film concentrates on the historical factors that led to the March On Washington in August 28, 1963. These factors are brought to light through the telling of the sagas of Bond's grandfather, James Bond—a man born in slavery who went on to graduate from Berea College and Oberlin College—and Jane Arthur Bond, Julian's great-grandmother. Julian's father, Horace Mann Bond, one-time president of Lincoln College in Pennsylvania, is also featured. The family-centered segment of the film is illustrated with photos from the Bond family albums that were loaned to the producers by members of the Bond family.
The second act begins with the March on Washington and Bond's entrance into politics at age 23, and concludes with his manifest opposition to the Vietnam War.
The conclusion of the film begins by showing Bond's formal acceptance as an elected representative in the Georgia House of Representatives, after finally winning a three-year court battle against the legislative body that had originally refused him his seat due to positions he had taken on issues relating to the Vietnam War. This is followed by segments that show Bond's nomination for Vice President of the United States at the 1968 Democratic National Convention in Chicago; his failed attempt to obtain the nomination for the presidency in 1976; and a succession of events leading to the 2008 presidential election when Barack Obama became the first African American president of the United States.
According to Giles Morris of the C-Ville weekly, the gems of the film are the "off-guard moments" when Julian Bond explains to Montes-Bradley how Jim Crow was perceived by a child in the early 1950s: "I knew this was a condition. I couldn't understand who made it happen, who was in charge of it, what it really meant, but I knew there was a difference between myself and the other people I saw whose skin was not the same color," Bond says.〔Morris, Giles. "Local filmmaker takes on the civil rights struggle from a foreign perspective" ''C-Ville Weekly'', November 1, 2012. p. 18〕

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